Please don't push it Sharlene - not with such an obliging stenographer on hand
Actually it's interesting these early books are mostly focused on the Wizards (and Witches storming in with a vengeance in this) and with Death. In the next book Mort, he has to take the life of a Witch on his solo outing and there too we have another marked difference with how magically gifted people depart their mortal lives. Then in Sourcery we get yet another contrast between the genders with Coin's megalomaniac father's overpowering rage and grief that prompts him to cheat death in order to give his young son ultimate magical powers.
With Death, the person but really more the process, we see how Witches are far more practical and almost unconcerned about Death. How could they not be? They inevitably see him all the time in the course of their career and so the reason they're almost always calm and matter of fact when it's their turn is because they're so familiar with the dying that they have no fear of it - I don't think I can remember any Witch giving Death a really hard time of it when they die. The Wizards as we know, with the possible exception of Windle Poons, make a terrible fuss with terror from Rincewind and the extravagant behaviour of all the rest in avoiding or trying to bargain with the anthropomorphic personification.
Witches are about Life, Death and Sex - they understand people very well indeed as they are their business and it's this that's important to how they ply their trade. They fight with magic when they need to, against hivers and Elves and, in a way against Wizards too, but with people they mostly don't need to because headology forms the driving force of their brand of magic. It's the cornerstone of their power and why all Witches, including Magrat, Miss Level and Petulia, all possess or acquire conviction and pride in their abilities. But it also bonds and binds them to the real unmagical people they live and work with. Wizards don't do this for the most part. UU is the greatest example of how they hold themselves apart and study grand and lofty ideals and also why they veer from turning into selfish academic gourmands and power-crazed mages who are largley oblivious to anything remotely domestic or 'ordinary'. I'm afraid Terry is a traitor to his gender - he's let the women rule his own world, but in an unobtrusive and thoughtul manner :twisted:
Actually it's interesting these early books are mostly focused on the Wizards (and Witches storming in with a vengeance in this) and with Death. In the next book Mort, he has to take the life of a Witch on his solo outing and there too we have another marked difference with how magically gifted people depart their mortal lives. Then in Sourcery we get yet another contrast between the genders with Coin's megalomaniac father's overpowering rage and grief that prompts him to cheat death in order to give his young son ultimate magical powers.
With Death, the person but really more the process, we see how Witches are far more practical and almost unconcerned about Death. How could they not be? They inevitably see him all the time in the course of their career and so the reason they're almost always calm and matter of fact when it's their turn is because they're so familiar with the dying that they have no fear of it - I don't think I can remember any Witch giving Death a really hard time of it when they die. The Wizards as we know, with the possible exception of Windle Poons, make a terrible fuss with terror from Rincewind and the extravagant behaviour of all the rest in avoiding or trying to bargain with the anthropomorphic personification.
Witches are about Life, Death and Sex - they understand people very well indeed as they are their business and it's this that's important to how they ply their trade. They fight with magic when they need to, against hivers and Elves and, in a way against Wizards too, but with people they mostly don't need to because headology forms the driving force of their brand of magic. It's the cornerstone of their power and why all Witches, including Magrat, Miss Level and Petulia, all possess or acquire conviction and pride in their abilities. But it also bonds and binds them to the real unmagical people they live and work with. Wizards don't do this for the most part. UU is the greatest example of how they hold themselves apart and study grand and lofty ideals and also why they veer from turning into selfish academic gourmands and power-crazed mages who are largley oblivious to anything remotely domestic or 'ordinary'. I'm afraid Terry is a traitor to his gender - he's let the women rule his own world, but in an unobtrusive and thoughtul manner :twisted: