Sorry to resurrect this thread ( *polishes his Staff of Necromancy +12*
), but there's something I've just become aware of that
blew my mind was very surprising.
I'll get to that, but I have some further thoughts on Rincewind being Esk's son:
Tony, you said that
What if Rincewind is Esk's son?... I'm basing this on a line by Rincewind in one of, if not the first, Discworld book - he says something along the lines of, his mother left before he was born. Given that Rincewind gets out of some unbelievable scrapes, one wonders if someone is looking out for him.
Raisindot, you countered with two assertions:
1.
Rincewind is essentially a one-note cartoon character, hardly worthy of being the descendant of Esk.
2.
And the premise that Esk was "looking out for him" essentially negates the whole joke premise of Rincewind's narrative: That he escapes danger through a combination of dumb luck and a way of turning his incompetence into an advantage when it really counts.
Of course this is all speculation, but I'd like to point out that:
1. First of all, obviously, Characterisation Marches On.
In the early novels, Rincewind was a way to introduce the Discworld to readers, through his relationship with Twoflower. True, he was a "jokey" character, and much that happened to him -- as well as his escapes -- was by accident or by pure luck. (In TLF, we learn that he is under the special protection of The Lady. We all know what The Lady symbolises, so the fact that Rincewind escapes through her aid is not a joke or a coincidence).
Still, I would argue that despite Rincewind's amazing luck, he also shows an incredible bravery and resourcefulness. No-one else throughout the canon has faced so much danger
willingly. Observe:
a. In TLF, Rincewind could have run away from Trymon, but he didn't.
b. In IT, Rincewind could have walked away from the juvenile Red Army and left them to die, but he shouted them down and almost convinced them to his point of view.
c. In the same novel, Rincewind could have led the terracotta Red Army away from the battle. But he led them into it. (The fact that he had no idea what was happening doesn't matter).
d. In TLH, Rincewind could have backed out of facing down Cohen on Cori Celesti, but he
volunteered.
And so on. When push really comes to shove, Rincewind doesn't run away. He finds something to fight with, even if it's just a half-brick in a sock, and uses it. Yes, he runs away a lot, but he's actually brave - even if it's just a little.
Besides, what tools does he have to be brave
with? He's not an amazing fighter like Cohen, or a dexterous rogue like Conina. He doesn't have much at all. But if you back him into a corner, he'll fight back (like Magrat does in WA and LL).
2. Based on the above, I take exception to the assertion that he's not "worthy" of being Esk's son. Of course he is. He's not an amazing wizard, of course, but so what? No other wizard kept (and protected) one of the Great Spells in his own mind. That's got to be worth something.
No other wizard faced so many dangers and lived, either. In the grand scheme of things, that's got to be worth something.
I'm also very leery of the term "worthy". Esk gave birth; that's undeniable. How do you judge the "worth" of a baby, or a child, or a man? If, rhetorically speaking, he
is Esk's son, how do we know that Esk isn't proud of him? That's right - we don't.
One final thought: Rincewind isn't a hero in the same way that Vimes / Carrot / Granny / etc. are. But so what? He's done so many things - in a cowardly or brave way, it doesn't matter - that it seems heartless to deny him "worth". If Mr Nutt has worth, then I'd argue that Rincewind does too.
==================
Anyway, on to the other thing that
blew my mind surprised me about ISWM:
Towards the beginning of the novel, Tiffany is made aware of Mr Petty and what he did to his daughter, Amber. STP refers to the 'dissonant piping and war-drums of vengeance' sounds of the 'rough music'.
For a long time, I found this scene (and the thoughts of what Mr Petty did, and what the crowd would do to him) chilling. Obviously. But I never thought to connect it to the real-world folk custom of
charivari (aka 'skimmington', 'shivaree' or 'chivaree'). =( I've read about it in history books, and of course it was horrible, but somehow distant. To see it 'illustrated' by characters like Tiffany, Mr Petty and Amber Petty made it ... well, more 'real'. It was possible to
feel Mr Petty's shame and anguish, the crowd's fury, Tiffany's ambivalence at having to judge him.
It's even more horrible now that such scenes played out across Europe and North America for centuries. I would have thanked goodness that we live in more enlightened times, except that nowadays the custom of charivari has been replaced with 'trial by media' and/or 'trial by social media'. Which is both horrifying and depressing. =( Whoops, it seems I brought this thread into a very dark place -- sorry about that!
Anyway, I've rambled enough. What's your take, hmm?