The Terry Pratchett Prize, Round Two...

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Jan Van Quirm said:
No - it's simply a slightly different Earth to this one, which is why I'm not so sure that I should put this in for the competition.

The Rules said:
We will be looking for books set at any time, perhaps today, perhaps in the Rome of today but in a world where 2000 years ago the crowd shouted for Jesus Christ to be spared, or where in 1962, John F Kennedy’s game of chicken with the Russians went horribly wrong. It might be one day in the life of an ordinary person. It could be a love story, an old story, a war story, a story set in a world where Leonardo da Vinci turned out to be a lot better at Aeronautics. But it won’t be a story about being in an alternate Earth because the people in an alternate Earth don’t know that they are; after all, you don’t.
I think it does just about scrape it as it's going in a different direction after one of the recent African conflicts :shifty: :laugh:
I see... but I don't think they'll be so strict about it, surely... :laugh:
 

Quatermass

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AARRRGGGGHHHH!!!

I HAVE [EFF]ING WRITER'S BLOCK! :angry-banghead: :angry-banghead: :angry-steamingears: :angry-steamingears:
 

Jan Van Quirm

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Don't stress Q - still 46/7 days to go for the compy deadline and with your editorial feeback you'll likely be able to kickstart your main project OK (the Epilogue may well change too once you've done with the edits).

In the meantime, for the other stories you're working on - leave them and go do something else unrelated to those projects for a couple of days, and then come back to them with a rested mind. Such a thing as over-thinking writing and it does help to leave it alone, rather than constantly poking it with a metaphorical stick if the ideas/momentum have dried temporarily... o_O
 

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Jan Van Quirm said:
Don't stress Q - still 46/7 days to go for the compy deadline and with your editorial feeback you'll likely be able to kickstart your main project OK (the Epilogue may well change too once you've done with the edits).

In the meantime, for the other stories you're working on - leave them and go do something else unrelated to those projects for a couple of days, and then come back to them with a rested mind. Such a thing as over-thinking writing and it does help to leave it alone, rather than constantly poking it with a metaphorical stick if the ideas/momentum have dried temporarily... o_O
I cannae help it (ye Gods, I'm turning Scottish. Could be worse...much worse...I could be turning into a Chav! :laugh: ), JVQ. I'm literally addicted to writing, and I get withdrawal symptoms (extreme irritability, frustration, minor insanity) whenever I am denied a creative output. Sometimes, the only solution is to (metaphorically) bash your head against the brick wall and hope it breaks before your head.

There is some light on the horizon. Apparently my target audience/critiquer has read it almost to the finish and, critiques aside, not only enjoys it, but considers it better than the last book I had her read. :eek: I personally think it's the other way around, but this work for the TP Prize is certainly more accessible than that work (which remains unpublished, along with all my other stories). So maybe I actually have a decent chance to win this competition. :think:
 

Jan Van Quirm

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Then it really doesn't matter whether your completed draft is in with a chance or not - you've proved you can finish a story and your editor has not only enjoyed it but thinks it has a lot of appeal for a broader reader base. THIS IS WHAT TRANSWORLD ARE LOOKING FOR! Something that will sell!!!! :eek: :laugh:

As for having to write - yes I totally understand that. :p Perhaps I should have said go and write about something, anything different to what you're stuck on/stressing presently and then go back when you've got the knots out of your head. I come onto this or other forums and write long convoluted posts as my method of getting the moths out of my head - or do something semi-practical like write a synopsis or submission letter about the project whilst not actually adding anything new and find that can sometimes give me space by holding it away from me in some way and perhaps get a new perspective on it all? o_O Being blocked doesn't mean you can't write at all necessarily - you can still get to choose to write something different. All writing is valid in other words - even complete garbage so long as you're keeping your hand in in some manner. ;)

In other news - 127,000 words now. Reckon another 1000 for this chapter and then another half chapter to do and I'm there :laugh:
 

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Good, keep going, JVQ! :)

As for writing something different, part of the problem is that I can become so monomaniacally focused on a single project that no others matter. o_O Still, there may be a way out. I've just realised that for one of my books, a bit of research is required to get the atmos down, so some books are required from my local library.
 

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Well, my critiquer has come back. Many of her suggestions (which are almost always word complaints rather than story-based) I'm taking on board. Others, I'll have to dismiss.

So, time to start editing... :think:
 

Jan Van Quirm

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Penultimate chapter going off for editing as I write this - up to 128,700 words so far. :shifty:

Hoping that 5,000 - 10,000 more will be enough to polish off what I already have for the final chapter which I think I'll definitely be able to finish by early December as it's not going to be as difficult as this last lot of writing I've done. :think:
 

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Jan Van Quirm said:
Penultimate chapter going off for editing as I write this - up to 128,700 words so far. :shifty:

Hoping that 5,000 - 10,000 more will be enough to polish off what I already have for the final chapter which I think I'll definitely be able to finish by early December as it's not going to be as difficult as this last lot of writing I've done. :think:
Oh my, that's a lot. Better get a move on regardless, JVQ. You've got just over a month left.

I'm beginning the editing process today, firstly taking on board some of the recommendations of my 'target audience', and then adding some flavour which I feel is sorely lacking from the novel. Not to mention changing the ending. But my target audience enjoyed the novel, regardless of the nitpicks, so I'm feeling rather heartened. :)

I've also chosen a pseudonym.
 

Jan Van Quirm

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I like going over editorial comments and seeing what's been done through someone else's eyes even if I don't always go with the suggestions :laugh:

As for cracking on - the stuff I've been writing recently has been hard to do because some of it's coming from very negative personal experience so I've not been so keen on the splurge method. This next bit's more action-based and character-led and really I've already got it mapped out mostly so it'll be fun and so my speed will pick up - when I'm on a roll I can do 2000 words a day easy... ;)
 

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Jan Van Quirm said:
I like going over editorial comments and seeing what's been done through someone else's eyes even if I don't always go with the suggestions :laugh:

As for cracking on - the stuff I've been writing recently has been hard to do because some of it's coming from very negative personal experience so I've not been so keen on the splurge method. This next bit's more action-based and character-led and really I've already got it mapped out mostly so it'll be fun and so my speed will pick up - when I'm on a roll I can do 2000 words a day easy... ;)
Well, may the best person win.
 

Quatermass

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Anyway, just managed to do review and revision of about a third of the book. The rest should be easier: I noticed some glaring continuity errors (partly because I had copied and pasted from previous drafts of the book, and partly stuff that I had written in that was meant to have a payoff later, but didn't), so I fixed those. And I've implemented some changes my critiquer suggested, and made other changes myself to help make the speech of characters seem more natural. :think:
 

Jan Van Quirm

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Continuity's a problem for me as well, but mainly because I tend to write in spurts with gaps in between - this year's been hard for me to keep writing with the housemate having to go to hospital for various stuff so some of the action I haven't worked on for several months and it is hard to remember what's going on sometimes. :|

As for 'naturalness' I tend to go over every chapter as I finish and read any dialogue out loud (well in a whisper mostly as there's a lot of accents and I sound terrible o_O ). I find it easier to fish any really silly-sounding bits that way ;)
 

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Jan Van Quirm said:
Continuity's a problem for me as well, but mainly because I tend to write in spurts with gaps in between - this year's been hard for me to keep writing with the housemate having to go to hospital for various stuff so some of the action I haven't worked on for several months and it is hard to remember what's going on sometimes. :|

As for 'naturalness' I tend to go over every chapter as I finish and read any dialogue out loud (well in a whisper mostly as there's a lot of accents and I sound terrible o_O ). I find it easier to fish any really silly-sounding bits that way ;)
Regarding continuity: that can be a problem too for me, not because I write in spurts, but because I forget details that were in the murky past of writing the novel.

Regarding dialogue: I don't do that. I'd probably look stupid doing so. But I tend to write in one of two styles of dialogue: Keanu Reeves, or Brian Blessed. :laugh:
 

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Welp, I've finished the first big sweep of my revision. I'll probably only add bits here and there, but the novel is all but done. All that needs to be done before the submission is the changing the font and the size and formatting.
 

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Well, my book is essentially done. I just need to get one bit of revision back from my friend, and then send it off.
 

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