Fair enough, Quatermass.
I was comparing the book to a James Bond
film, though. I haven't read the books.
When you say the books are badly dated, what do you mean, exactly? Are they (say) sexist/racist, etc.?
Both. Sexist (in
The Spy Who Loved Me, which Fleming admittedly disowned, he had the main POV character, a woman, claim that all women love semi-rape), racist (
Live and Let Die is perhaps the most infamous) and homophobic (
Diamonds are Forever have Wint and Kidd, like the films, and in
Goldfinger, Pussy Galore's lesbianism is infamously 'cured' by Bond sleeping with her). But there's a couple of caveats that should be attached.
Firstly, Ian Fleming was most definitely writing for his time. This is something that was pointed out in previous posts. Many works that are brilliant are also of their time, and need to be taken as such, but shouldn't be banned outright, just given advice to that effect. Take, for example, a
Doctor Who story called
The Talons of Weng-Chiang. That story, despite being one of the best of the classic series, would be hard to show these days, as it doesn't show the Chinese in a flattering light (to say nothing of the main Chinese character being played by an English actor in yellowface). I'm honestly surprised that, in the booklet accompanying the recent Blu-Ray re-released of that story (along with the season it was in) that the only warning was that 'some language may offend'. But the story itself is actually my personal favourite of the classic series, in spite of that, and other faults. It helps that Robert Holmes was one of the best writers for the series, if not THE best.
Secondly, to claim that this is all there is to the Bond books is to do them an admitted disservice. While Doctor No is not exactly a paragon of a Chinese character, he does have an indepth background and interesting motivations, as does a lot of the other characters (Mr Big, Blofeld, Scaramanga, they all get quite some strong background characterisations). Hell, Bond himself actually is more complex than he is in the films: while a nasty piece of work by modern standards, he's also very introspective, with the opening chapter of
Goldfinger dedicated to his ruminating over how badly the death of a Mexican thug affected him. Even a number of the Bond girls are also complex in nature, compared to their film counterparts, like Honey Ryder.